Paper Engineering: Fold, Pull, Pop & Turn

That Wascally Wabbit

Bugs Bunny pop-up featured . . .

Bugs Bunny first debuted in cartoons in 1940.

He doesn't look a day over . . . well, I'm not quite sure, but he certainly is spry for sixty.

A very happy birthday Bugs.

—Elizabeth Periale

Falling Hare, 1943

Related:

Happy Birthday, Bugs! 

Bugs Bunny's globe-hopper hare. Ashland, Ohio : Landoll's, c1996. Text and pop-up pictures follow Bugs Bunny's adventures all over the world.

Bugs Bunny : fifty years and only one grey hare by Joe Adamson; prefaces by Friz Freleng and Chuck Jones. 1st ed. New York : H. Holt, c1990.

Bugs Bunny, editor, Jerry Lazar. New York : Custom Publishing Division of Time Inc., "A special birthday tribute to America's favorite rabbit"

Favorite quotes:

What's up, doc?

Of course you realize, this means war

Ain't I a stinker?

Don't think it hasn't been a little slice of heaven...'cause it hasn't!

My, I'll bet you monsters lead innnnteresting lives.

Thems fightin' woids

I knew I shoulda taken that left turn at Albuquerque

Duck season.... FIRE!

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The Fascinating Art of Paper Engineering . . . Pop-ups

The fascinating art of paper engineering is the focus of a new exhibit that is on display in the Libraries’ gallery at the National Museum of American History. Paper Engineering: Fold, Pull, Pop, and Turn includes 44 books that range in date from the mid-16th to the early 21st centuries, creating a fascinating retrospective of volumes, which were designed and constructed with parts that move.

Selected by Stephen Van Dyk, the exhibit curator at the Cooper-Hewitt National Design Museum Library in New York, the books are divided into four primary categories according to each one’s paper construction type, as well as the mechanisms employed. The groups include Movables, Pop-Ups, Folding Mechanisms, and Fantastic Forms. The Office of Exhibits Central collaborated with the Libraries on the organization and production of the exhibit. This post will focus on “Pop-Ups,” which are comprised of books that pop up from the surface of the page such as stage sets or pull-out layers; v-folds; box and cylinder constructions; and floating layers.

The second category of books in the exhibit, “Pop-Ups,” have parts that are attached to the surface of the page which pop up when the page is opened.  “Pop-Ups” include four basic construction types: stage sets or pull out layers; v-folds; box and cylinder constructions; and floating layers.  The Elements of Geometrie of the Most Auncient Philosopher Euclide of Megara… is an excellent example of the category.  Printed in 1570 by J. Daye in London, based on the work of the ancient Greek mathematician Euclid, the book contains box and cylinder mechanisms, which were used to create pyramids and other geometric forms.

The Elements of Geometrie of the Most Auncient Philosopher Euclide of Megara…

In the Beginning: The Art of Genesis, A Pop-Up Book, one of the most recent works in the exhibit, also falls into the “Pop-Ups” category. Written and designed by Chuck Fischer with paper engineering by Bruce Foster, and printed by Little, Brown, New York, in 2008, floating layers were used to enhance the story line.

In the Beginning: The Art of Genesis, A Pop-Up Book

From their varied subject matter—scientific, theatrical, religious, historical—to their wide-ranging forms of construction—Movables, Pop-Ups, Folding Mechanisms, Fantastic Forms—the books included in Paper Engineering: Fold, Pull, Pop, and Turn are multi-dimensional works of art. The exhibit captures the excitement and wonder, as well as the complexity and sometimes seemingly gravity-defying actions, of these captivating books.

—Lori Dempsey, Smithsonian Office of Exhibits Central

The Fascinating Art of Paper Engineering . . . Movables

The fascinating art of paper engineering is the focus of a new exhibit that is on display in the Libraries’ gallery at the National Museum of American History. Paper Engineering: Fold, Pull, Pop, and Turn includes 44 books that range in date from the mid-16th to the early 21st centuries, creating a fascinating retrospective of volumes, which were designed and constructed with parts that move. Selected by Stephen Van Dyk, the exhibit curator at the Cooper-Hewitt National Design Museum Library in New York, the books are divided into four primary categories according to each one’s paper construction type, as well as the mechanisms employed. The groups include Movables, Pop-Ups, Folding Mechanisms, and Fantastic Forms. The Office of Exhibits Central collaborated with the Libraries on the organization and production of the exhibit.

This post will focus on “Movables, ” which include books with movable parts such as flaps, wheels or volvelles, and pull tabs.

Drawn mainly from the collections of the Cooper-Hewitt National Design Museum Library, and the Dibner Library of the History of Science and Technology, the books demonstrate the changes that have taken place over time in paper engineering, as well as the continuing use and popularity of many of the oldest types of paper construction techniques. According to Van Dyk, “Authors, designers, and paper engineers have employed diverse construction methods and mechanisms to create pop-up and movable books that have educated and entertained readers for more than 800 years. In many cases, movable parts and pop-ups have been the most effective way to teach concepts such as alphabets and numbers to children, or to illustrate the human body by revealing the locations and positions of internal organs.”

An example of the latter is included in the exhibit, and falls into the category of volumes known as “Movables.” De homine [On man] was printed by Petrus Leffen and Franciscus Mayardus in the Netherlands in 1662, based on the work of René Descartes (1596-1650), the French philosopher, mathematician, and scientist. “Movables” which have parts that are superimposed or layered on the page, include three basic construction types: flaps; wheels or volvelles; and pull tabs. De homine contains flaps--which were hinged on the surface of the page, and opened like a window, revealing an image below—that were used to illustrate the physiology of the heart.

“Movables” book: De homine [On man].

Another work in the “Movables” category is the Astronomicum Caesareum [The emperor’s astronomy], the earliest book in the exhibit. It was printed in Ingolstadt, Germany, in 1540, based on the work of Peter Apian (1495-1552), a German scholar who was famous for his writings on astronomy, mathematics and cartography. In the book, hand-decorated wheels or volvelles are used—paper disks which, when rotated, brought images and information into alignment--allowing the reader to chart the positions of the planets.

“Movables” book: Astronomicum Caesareum [The emperor’s astronomy].

From their varied subject matter—scientific, theatrical, religious, historical—to their wide-ranging forms of construction—Movables, Pop-Ups, Folding Mechanisms, Fantastic Forms—the books included in Paper Engineering: Fold, Pull, Pop, and Turn are multi-dimensional works of art. The exhibit captures the excitement and wonder, as well as the complexity and sometimes seemingly gravity-defying actions, of these captivating books.

—Lori Dempsey, Smithsonian Office of Exhibits Central

Libraries' Pops Up!

Here are some of the creations that came out of last Sunday’s Family Activity at the Smithsonian Folklife Festival. More can be viewed on the Libraries' Flickr page.

The purpose of the activity was to help kids make and decorate pop-up cards, in conjunction with the Libraries new exhibit, Paper Engineering: Fold, Pull, Pop & Turn. The helpers from the Libraries were Phuong Pham from the Book Conservation Lab and Richard Naples from the Digital Services Division.

We had hundreds of visitors stop by (and nary a papercut, although the 98 degree weather was taxing).

The program was quite a success!

—Richard Naples