135 posts categorized "CHM Library"

January 25, 2012

Cooper Hewitt National Design Library moves into new spaces

The Cooper-Hewitt National Design Museum, in the Carnegie Mansion on 5th avenue, is closed for the next two years to undergo extensive renovations so that the entire mansion can be converted to exhibition galleries.  The library, began in the 1890s by the Hewitt Sisters at Cooper Union, occupied the Carnegie Mansion’s third floor when the collections were obtained by SI in the 1970s. Since that time, the library has grown to include approximately 80,000 volumes, 4500 trade catalogues, and several picture collections.

CHNDM Library Reading Room in the Carnegie Mansion 

CHNDM Library Reading Room in the Carnegie Mansion


For more than two years, CHM Library staff, volunteers, and student workers have been planning the move of the library into two new spaces – connected townhouses on 90th Street adjacent to the mansion known as Miller and Fox Houses, and to a facility in Newark, New Jersey.   Over the past five months, the collections have moved partially to Miller-Fox, and partially to Newark.  Library staff worked with SI's Office of Facilities Engineering and Operations and the design firms of Beyer Blinder Belle  Architects & Planners LLP and Gluckman Mayner Architects in planning these new spaces.


The staff and public spaces of the Library are on the second floor of the connected Fox and Miller Houses. Two rooms of the Miller House, the former residence of Andrew & Louise Carnegie’s daughter Margaret and her husband Roswell Miller, were refurbished.  One oak paneled room serves as the library’s workroom and offices for the CHM Library staff.   The Fred & Rae S. Friedman Rare Book Room (formerly the Bradley Room in the Mansion space), features state-of-the-art environment/security and fire suppression systems and compact shelving to house CHM Exposition, CHM Bradley, and all CHM RB materials.


The public spaces of the library are in Fox House (the former M. Louise McALpin residence built in 1903), comprised of the Reception/reference room at the library entrance, and 2 Reading rooms. The Reception Room contains current and bound serials and reference volumes, an area to greet and register visitors, public work stations with PCs, scanners, printers, and a microfilm reader-printer.


The Arthur Ross Reading Room, an elegant renovated parlor to the south of the reference area, is adorned with a crystal chandelier and wall sconces by E.F.Caldwell & Co.; a marble fireplace, mirrors, and modern seating and tables by Steelcase to accommodate twenty researchers along with shelving for serials and student shelves and course reserves.



Arthur Ross Reading Room at the new CHNDM LibraryArthur Ross Reading Room at the new CHNDM Library

 

A second oval, wood-paneled room also with marble mantel & original Caldwell lighting fixtures to the north of the reference area,  serves as the ”quiet reading room”, accommodating  twelve researchers.   Cooper Union Museum and Cooper-Hewitt exhibition catalogues, long runs of shelter magazines and more reference works are housed here.

 

North Reading Room at the new CHNDM Library North Reading Room at the new CHNDM Library

 


Downstairs, the new first floor compact shelving stacks are accessible by stairs from the reference area, housing approximately 20,000 monographs, serials, and Master’s theses.  Trade literature and past CHM exhibition records are housed on stationary shelving here.

 

First floor stacks in the new CHNDM LibraryFirst floor stacks in the new CHNDM Library



 
Approximately 60% of the monograph and bound serials collection are now in compact shelving in a secure and environmentally controlled, 2700 square foot space in the offsite facility in Newark, New Jersey – a floor above where the CHNDM objects collections are housed.   The Caldwell, Kubler, Czech book covers, postcard, large trade catalog, pop up books, and archive collections have also been moved to Newark.    A majority of items housed offsite –thanks to SIL’s cataloging division- are now noted in SIRIS as CHM NWK.   This offsite facility provides space for years of collection growth.

 

CHMNWKStacks-edit.jpgStacks at offsite facility, CHM NWK.

December 21, 2011

New & Notables: December 2011

We're testing out a new way of displaying our "New & Notable" books by combining them in to one post per month. Also, above the book listings, you'll see a slideshow with links to the WorldCat records for each book. If you are not a user of our physical collection, WorldCat will help you find a copy of the book in a library near you. If you enjoy our "New & Notable" section, we would love to hear your comments below.

 

Here are some of the newest additions to the National Air and Space Museum Library collection:

Webimage Ascend or Die: Richard Crosbie: Pioneer of Balloon Flightsby Bryan McMahon.  History Press Ireland, Dublin, Ireland, 2010.  TL620. C76 M36 2010
144959681725550882_ym4sku7A_b

Fighting Seventeen: A Photographic History of VF-17 in World War II by Lee Cook.  Schiffer Military History, Atglen, Pennsylvania, 2011. 

D790. 375 17th C66 2011

9780738575193

Millville Army Air Field: America's First Defense Airport (Images of Aviation) by John Galluzzo.  Arcadia Publishing, Charleston, South Carolina, 2011. 

UG634.5 M55 G35 2011

144959681725550882_ym4sku7A_b

Storms of Controversy: The Secret Avro Arrow Files Revealed by Palmiro Campagna.   Dundurn Press, Toronto, Ontario, Canada, 2010.  

TL685.3 C35 2010 

—Leah Smith

 

New books in the National Museum of American History Library:

American eden
American Eden : from Monticello to Central Park to our backyards : what our gardens tell us about who we are by Wade Graham.

New York : HarperCollins Publishers, c2011.

SB451.3 .G718 2011

12_11_clip_image002
Born southern : childbirth, motherhood, and social networks in the old South by V. Lynn Kennedy.

Baltimore : Johns Hopkins University Press, 2010.
RG652 .K46 2010

12_11_clip_image002_0000
The sword of St. Michael : the 82nd Airborne Division in World War II by Guy LoFaro.

Cambridge, MA : Da Capo Press, c2011.
D769.346 82nd .L64 2011

12_11_clip_image002_0001
Master mechanics & wicked wizards : images of the American scientist as hero and villain from colonial times to the present by Glen Scott Allen.

Amherst : University of Massachusetts Press, c2009.
Q127.U6 A6815 2009

12_11_clip_image002_0002
American tempest : how the Boston Tea Party sparked a revolution by Harlow Giles Unger.

Cambridge, MA : Da Capo Press, 2011.
E215.7 .U64 2011

— Trina Brown

 

New items in the Botany-Horticulture Library:

Edible

Edible Landscaping by Rosalind Creasey. San Francisco : Sierra Club Books, 2010

SB475.9.E35 C74 2010  

— Robin Everly

 

New books in the Cooper-Hewitt National Design Museum Library:

  #1Massey

Crystal and arabesque : Claude Bragdon, ornament, and modern architecture . Jonathan Massey. Pittsburgh, Pa. : University of Pittsburgh Press, c2009.

NA737.B65 M37 2009 CHM

From the 1890s to the 1930s, Claude Bragdon enjoyed an international reputation as an architect, designer, and critic working in the progressive tradition associated with Louis Sullivan, Frank Lloyd Wright, and the Prairie School. In 1915 Bragdon created “projective ornament,” a system of geometric patterns designed to serve as a universal form-language integrating not only architecture, art, and design, but also a society divided by differences of class, gender, religion, culture, and national origin. Spreading across the surfaces of buildings, posters, books, and the settings Bragdon designed for massive community singing festivals, projective ornament came to symbolize the progressive potential of modernity for thousands of Americans.

  #2Triumvirate

Triumvirate : McKim, Mead & White : art, architecture, scandal and class in America's Gilded Age / / by Mosette Broderick. New York : Alfred A. Knopf, 2010.

NA737.M4 B76 2010 CHM

A rich, fascinating saga of the most influential, far-reaching architectural firm of their time and of the dazzling triumvirate—Charles McKim, William Mead, and Stanford White—who came together, bound by the notion that architecture could help shape a nation in transition. They helped to refine America’s idea of beauty, elevated its architectural practice, and set the standard on the world’s stage.

 #3Bauhaus

Bauhaus : a conceptual model / / editor, Bauhaus-Archiv Berlin/Museum für Gestaltung, Stiftung Bauhaus Dessau, and Klassik Stiftung Weimar ; in cooperation with, Museum of Modern Art, New York ; [translations, Benjamin Carter... et al.]. Ostfildern : Hatje Cantz, c2009. N6868.5.B27 B38 2009 CHM

Essays: The Bauhaus on the market : on the difficult relationship between the Bauhaus and consumer culture / Regina Bittner ; Escape into the public sphere : the exhibition as an instrument of self-presentation at the Bauhaus / Patrick Rössler -- Selective appropriation : remarks on the reception of Bauhaus pedagogy in Germany / Rainer K. Wick ; Teaching at Black Mountain College and the New Bauhaus : the seperation of art and design / Gabriele Diana Grawe ; The Bauhaus : internationalization and globalization / Klaus von Beyme ; "Timeless gothic" instead of "Dentist-style with housing cubes" : The National Socialist opposition to the Bauhaus / Justus H. Ulbricht ; Vice versa-art of the people? / Ulrike Bestgen and Werner Möller ; The Bauhaus today / Philipp Oswalt.

  #4Reitveld

Gerrit Rietveld  by Ida van Zijl.   London ; New York, NY : Phaidon, 2010.

NA1153.R5 Z54 2010 CHM

From his first great design masterpiece, the Red-Blue Chair, to his final design for the Van Gogh Museum in Amsterdam, Gerrit Rietveld created a significant body of work and left a remarkable legacy. His simple yet dynamic design style has greatly affected international furniture design and has made a significant contribution to the history of architecture. His unconventional approach and extraordinary furniture, hailed by Theo van Doesburg as 'the new sculpture', inspired many of his contemporaries just as it continues to inspire today's designers; he has he has been cited as a source of inspiration by designers ranging from Verner Panton to Konstantin Grcic. This detailed yet accessible monograph is structured chronologically and richly illustrated with photographs and sketches of Reitveld's furniture design and his twenty-odd architectural projects.

—Elizabeth Broman

December 05, 2011

Digitization Dispatch: Etymology Edition!

According to a 1918 publication from silk manufacturers The Cheney Brothers, 'polka dots' are so called for a couple of reasons. First, a traveling dance instructor spotted a young woman performing an unfamiliar dance on the border of Poland and Bohemia. The dance instructor became enamoured with the exuberant half steps of the dance and began teaching it to students. He named the dance after the anonymous performer, the feminine form designating Polish citizenry: the Polka. At the same time, the presidential campaign of James Polk was underway. And as the dance spread around the globe, trade manufactures were eager to cash in on on the popularity of both the incoming US President and the dance. Early issues of catalogs begin to describe their wares as "polka gauze", "polka hats", and "polka shoes".


Screen shot 2011-12-02 at 2.47.59 PM



This month's digital collection highlight, Why do you call them Polka Dots?, neglects the origins of latter half of the phrase, but it could be that the word 'dot' (rather than "spot", say) comes into play because Morse's new communication language was utmost in the mind of the populace. Dots and dashes were on the tip of the collective tongue at the time. And whether or not the Cheney Brothers eytomological report is technically speaking the most accurate tracing of the term, the story highlights the ways consumer culture can creep into language. Enjoy!

How to dance the Polka

Cheney Brothers Silk

 

 

November 07, 2011

Saving the Exposition Universelle De 1889

Exposition Universelle De 1889 is one of the many items about World’s Fairs in the SIL collection. It came to the Conservation Lab from the Cooper-Hewitt National Design Museum Library in New York. It consists of 23 plates depicting various houses from around the world as part of the “Human Habitat” section of the fair as well as 12 pages of introductory text. To put this in an historic perspective, this was the World’s Fair that took place in Paris, France with the newly completed Eiffel Tower as its entrance!

The item arrived in poor condition with soiled and water damaged paper. Tide marks from previous exposure to water were visible on every plate. The plates were housed in a portfolio that was missing the back cover. As a result of missing the cover, many of the plates were damaged at the corners and edges.

 

Before treatment - first pageBefore treatment - first page

 

Before treatment - plate with tide marksBefore treatment - plate with tide marks

 

Step one was to dry clean page with finely ground eraser crumbs. This is a relatively gentle way to remove surface dirt. The crumbs are rubbed over the soiled areas with the tips of the fingers. Multiple applications of the crumbs can be made. Due to the extensive tide marks from previous water damage, the decision was made to wash the plates in de-ionized water to remove impurities and tone down the tide marks. This may seem counterintuitive – why subject them to water again? The original exposure to water was partial and this results in the tide marks. By re-immersing the plates, the acid build up in the paper can be reduced and the tide marks washed mostly away.

 

During treatment paper washingDuring treatment paper washing

 

After washing and drying the plates were re-housed in a new, acid-free portfolio. The portfolio was covered in a stone patterned hand marbled paper, similar to the style of the original. An added custom fit enclosure was created so that the plates remain relatively immobile in their new home!

 

Plate after treatmentPlate, after conservation treatment.

After treatment new portfolioAfter treatment new portfolio


— Katie Wagner

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